4 Rand Extension

Near Deep South in Origin City(75E,374S,)

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anonymous, maybe_later, 0x0e298994..., 0x02d138e8..., 0x18a3ac11..., 0x3a25F6EF...

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Sign: Protect the internet

Sign: Spot

Sign: Selfie

NFT: https://opensea.io/assets/0xb932a70a57673d89f...

Sign: Fake Wall

NFT: https://opensea.io/assets/0xfbeef911dc5821886...

Sign: Spot

Sign: Selfie

NFT: https://opensea.io/assets/0x41a322b28d0ff3540...

Sign: !

Sign: Spot

Sign: Selfie

Richtext: #Katarina Zagorski Katarína Zagorski (formerly Katarína Mojžišová) has created projects in dance, theatre and performance art. She choreographed for professional ensembles, schools, short film and television. For seven years she was based in Ireland as an independent artist and a Guest Tutor at the University of Limerick. She holds a Master‘s Degree from The Academy of Performing Arts in Bratislava and is a recipient of international grant awards. Her works were part of Mamuska Nights, Framemakers Symposium, Excursions Performance Festival, Dublin Fringe Festival, Have U-Met-Nosti Festival, Dublin Dance Festival, TULCA Festival of Visual Arts, RTÉ Television and are represented in the collection of The National Dance Archive of Ireland. Katarína Zagorski lives in Slovakia, her projects were presented at Aréna Theatre, Stoka Theatre, Štúdio 12, A4, Štúdio tanca dance theatre, Bratislava in Movement Festival, Nu Dance Fest, Kiosk Festival, Studio of The Slovak National Theatre, Nová Cvernovka and Pohoda Festival. She writes about dance for Denník N Daily and is the director of Talentina Elementary School of Arts. Her latest independent dance projects are Kilometre Dance and Caution: porcelain.

Sign: Kilometre Dance at Doma dobre 2020

Polytext: wendy.network

Audio: https://sfo2.digitaloceanspaces.com/media-crv...

Sign: Katarína Zagorski

Richtext: Kilometre Dance was planned to open the online streaming of music gigs and discussions on December 13th, 2020. The programme featured appeals for direct donations to Depaul Slovakia. The route of Kilometre Dance was one-kilometre-long daily route of homeless people from the nearest public transport stop to the dormitory at the outskirts of Bratislava. I offered some possibilities on the music to accompany my performance for the online streaming. Michal Kaščák chose the recording of Japanese noise music artist KK NULL, who kindly gave us permission to use excerpts of his Kosmista Noisea album that I used in Beta Vank performance in 2007. I also used the original Vank costume from 1999 by Slovak fashion designer Jana Kuzmová. The performance and video recording of Kilometre Dance at Doma dobre was created with the help of Dopravný podnik Bratislava (Bratislava Public Transport Provider) and produced by Pohoda Festival. I felt the concept to connect the uncompromising, otherwordly and proud Vank character with the charity event Doma dobre (President of the Slovak Republic Zuzana Čaputová also participated) was quite radical, but so was the need to call attention to the pressing problem of homelessness Depaul Charity was dealing with each winter, especially this pandemic one. From the comments Kilometre Dance received at various online media where it was posted as part of Doma dobre event, I understood for some viewers it was appalling, unsuitable, ill-chosen, deprived, lunatic and absurd performance. I want to believe for some other viewers it was the radical empathy that helped them understand.

Sign: Michael Jordan

Audio: https://media-crvox.sfo2.digitaloceanspaces.c...

Sign: 江峰 Jiang Feng

Richtext: # U.S. (Unwholesome Shelter) 「美」國 --- This series juxtaposes the torn and dirty USian flag with the naked bodies of all genders, races, sexuality, nationality, and cultural backgrounds to capture their vulnerability, emotions, and strength, critiquing the United States as the dreamland and shelter for all. The U.S. is alleged to be the most open and tolerant country, but it fails to welcome people from various backgrounds equally. Everyone was invited to join the project because most of the people were immigrants in some ways at some point in the history of the country even if they're citizens now. “WHO is USian?” and “WHAT is USian?” The identity of USian is a construction that is very vague and excluding right now of anyone that is not white. People of color are being silences and erased with these aftermaths of history. Moreover, I am interested in the body, not the mainstream beauty. I encouraged everyone to model nude because I was not interested in censoring any specific body parts. If they are part of the body, they deserve to be seen/there. I started this series when I was studying in New York City. With all the racist experiences I had, I decided to hold an open call for participants that felt resonated with the theme. I had about twenty models from all backgrounds responded then. The photos are still being edited right now. I feel that this can be a much bigger project. With the national politics of the U.S. and the global politics affected by it, it is more than important to address the complicated reality of this country. As an Asian, I saw how people of color suffered in the country and felt that it is crucial that everyone’s voice and experience are heard. My being an Asian and non-USian add to this and can see these issues from a different perspective. Yet, this is not about me. It is about opening up the conversation and bring in the presence and representation. In this series, I am trying to empathize with all the participants/models with photography while I would want the audience to empathize with all their stories through their presence.

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Richtext: # Michael Jordan Born in 1972 in Erlangen, Germany., Michael lives and works as an illustration artist and graphic printer in Erlangen. Studied Media Illustration in Hamburg, followed by Printmaking at the University of Applied Art in Vienna. In 1999, he won 1st prize at the International Comix Competition Fumetto (Luzern, Switzerland); in 2002 he was a UNESCO scholarship holder at the Faculty of Fine Arts in Chiang Mai, Thailand. Since 2003 he has been working together with the artist group Tonto Comics from Graz. From 2008 to 2010 he taught Illustration at HfG Offenbach. From 2013 to 2014 and 2020 he taught Drawing and Printmaking at Middlebury College, Vermont USA. In 2017 he was Styria Artist in Residence, Graz. His works have been exhibited in Stockholm, Shenzhen, Vienna and Berlin, among other places.

Richtext: # Der Fall Birke // The case of birch ----- Let us assume that nature has something like its own sensitivity and each tree has its own personality. Wouldn't his basic rights then be just as worthy of protection as those of humans? But how will that work? Legislation of its own, as requested by Joseph Beuys, would give trees their own legislation. This mind game is the starting point for my short comic story "Der Fall Birke" Trees and animals are given their own jurisdiction - that was my idea for this comic entitled “The Birch Case”. In addition to the existing chambers of the courts, there is an ecological chamber. The consequences of human trafficking take on a new dimension. Which is why the past, present and future overlap in it. Joseph Beuys is representing the accessory prosecution. His statements are based on his work "Conversations about Trees" (FIU Verlag).

Sign: click to play

Sign: 1

Richtext: “Good Morning. Please take a seat.” (interrupting) “My client won't say a word.” “ Mister Moravec, you can put the folder down.”

Richtext: “The one that is accused of…” “ ...Mister Moravec, at present disabled and early in retirement, is accused of killing an eight year old birch on the third of May last year. Afterwards he sawed it into multiple pieces.” “I am asking the prosecution to present the hearing of evidence.” (listening to a piece of birch next to him) “Ahh sorry, yes now I can hear something.” “I am asking the civil action professor Beuys to tell us more..” “Thank you very much.” “A birch is also a tree.”

Sign: 2

Sign: 3

Richtext: “I am in support of a completely… ... new social order. In history the legislator was a druid.” “The word druid means oak, in case you are unsure of what I am saying.”

Sign: 4

Sign: 5

Sign: 6

Richtext: “ I want animals and plants to be legally competent.” “Because trees show more intelligence than humans these days. That's why they are important… “Mister Beuys, you represent the ecological department at the district court…” “Let me finish my sentence! The trees are not important to save life on earth, but to save the human soul.”

Sign: 7

Richtext: all quotes are from Joseph Beuys (1921-1986) from "Gespräche über Bäume" (1982/1984) Joseph Beuys| Bernhard Blume| Rainer Rappmann text and design: Michael Jordan

Sign: 8

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Richtext: #江峰 Jiang Feng 江峰 Jiang Feng is a non-gendered and multi-disciplinary artist working across-genres in movement/dance, theatre, performance art, voice, text, modeling, film, photography, and theory. He attained her B.A. in English and Chinese literature from National Taiwan University in 2016. In 2019, they graduated with an M.F.A. degree in Performance and Performance Studies from Pratt Institute. They are the receiver of the R.O.C. Government Fellowship to study and research dance abroad and “Grants for 20-40-Year-Old Writers” from Ministry of Culture in Taiwan. In September 2019, her new work "臺彎 Bent-Tai(www)" won the "Genuinely Fringe" award, the third prize, in Taipei Fringe Festival. His performance works have been presented at various venues, including Itinerant Performance Art Festival, Movement Research at the Judson Church, "Thinking Its Presence" conference hosted by the University of Arizona, Exponential Festival, Dance Research Forum Ireland, HOT! Festival at Dixon Place, New Work Series at Tada! Theater, Gibney Dance, La MaMa Galleria, Waxworks at Triskelion Arts, BAAD!, Hudson Guild Theater, and Odyssey Dance Theater in Singapore. Furthermore, their works have been shown in Germany, Bulgaria, and Hungary in various artistic scenarios. In Taiwan, she has worked with emerging choreographers Shiou Fen Li and KoYang Chang, and has performed at the National Theater and Concert Hall, NTU Center for the Arts, Nadou Theatre, Treasure Hill, Venue, amongst other venues. In 2018, they were selected to be the performer of the work “Wall-Floor Positions” in the MoMA retrospective "Bruce Nauman: Disappearing Acts."

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Sign: Michael Mastrototaro on Radical Empathy

Richtext: “ What is human, I wonder?”

Richtext: “Humans are living beings like an oak.” “the upright posture… … we do have… … from trees.”

Polytext: radical empathy

Richtext: #Kilometre Dance at Doma dobre 2020. Last year I was asked by the CEO of Pohoda Festival Michal Kaščák to perform Kilometre Dance at their charity event Doma dobre. It was to support Depaul Slovakia, largest low-threshold dormitory for homeless people in Central Europe. Kilometre Dance is a project I created in 2017 in which a dancer dances one kilometre in an open space. For Doma dobre event I decided to revive a character from Vank, a performance created together with Slovak artists, dancer Eva Klimáčková, musician Oskar Rózsa and actor Csongor Kassai in 1999. This character is a creature without home, a pilgrim from the unknown, stranger to our world. I thought the character’s otherness could express something about homeless people: easier to understand from the distance, but in direct contact we might find their otherness uneasy.

Polytext: Share your thoughts

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Richtext: English Translation: Here we are: first day of my trial. As I stepped into the courtroom of the ecological department at the district court Nürnberg-Fürth, I could smell intensely some fresh fir green. Or maybe it was the smell of the folder I was covering my face with, or maybe it was just an imagination?

Richtext: “Good Morning. Please take a seat.” (interrupting) “My client won't say a word.” “ Mister Moravec, you can put the folder down.”

Audio:

Richtext: #Instructions: #move with W, A, S, D keys #right click to move camera #click ESC keys to move mouse

Details

Address: 4 Rand Extension
Deep South
Origin City
Traffic: 3223 Visits
Owner: Nissla
Token: #1497
Neighborhood: Deep South
Location: 75E,374S,
Size: 14×18 metres
Build Height: 12 meters
Elevation: 0 to 12 meters
Area: 252 square meters
Volume: 24192 voxels
Token URI: https://www.cryptovo…

4 Rand Extension

Near Deep South in Origin City(75E,374S,)

Description

Collaborators

Latest Womps

Details

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